Tuesday, 29 November 2016

Week beginning Monday 21st November 2016- Rehearsing and performing WWRY medley/ Evaluation

Tuesday 22nd November 2016




Under pressure rehearsals for the upcoming performance at Durrington High School this Thursday 24th November. The first video shows myself Luke, Amber and Megan rehearsing the song vocally on our own in the dance studio. We discovered a problem after running the song; we were performing the movement part of the piece end in when in fact we will be performing in traverse style. To fix this problem, we all came together and worked out a new alternative patter of movement, which involved us projecting our voices and body language out to the audiences rather than to one direction. Audience interaction is an important part of any upbeat musical and therefore with our audiences being sat on either side of the stage, we have a fantastic opportunity to really interact with them up close.

The difference between these two rehearsal videos shows that the four of us as an ensemble have worked together to overcome an issue which limited our ability to interact with our audiences. We did this by discussing our options of how the change the movements. We used listening skills to consider each other's opinions, before concluding the discussion b y sensibly coming to the best solution to the issue.



The performance we are putting on at Durrington High School this Thursday is a medley of songs from WWRY, the ones that we thought were most influential to the characters. For example Under Pressure shows Galileo and Scaramouche starting to fall in love, which is a running storyline through out the musical. Jade, Pop and Jordy and Sam, Commander Khashoggi, do not have a duet song to sing in the medley, they don't sing in the two ensemble pieces, Radio Ga Ga and We are the champions. As a substitute to this, we have decided to give them the role of introducing our performance to the students, giving them some background information and context about us as performers, the musical and the songs. Without this introduction, our medley performance would be totally out of context from the study's perspective and would not fully make sense as the songs feature in a non chronological order. 

Every member of an ensemble is valid and must contribute towards the end result. Being a part of an ensemble is all about working together. If you were to take one member of the team away, the whole structure would not work in the same way. It was important for Jade, Jordy and Sam to contribute to this process in the same way the rest if the cast did. Doing this in a different form, speaking instead of singing worked perfectly. Without the introduction, the performance wouldn't have made sense and without the performance, the introduction would have been out of context. Therefore I believe we successfully worked as an ensemble here to create a legitimate and understandable whole performance. 

Thursday 24th November 2016- Performance day!


This morning we had limited time to learn the dance to Radio GaGa, our finale song in the WWRY medley.



Emily and Talia took on the leadership role in this part of today's rehearsals as they had collaboratively created the dance therefore knew it well. Everyone in the group demonstrated good listening and focus skills whilst Emily and Talia walked us through the movement. As I am a confident dancer I am able to pick up and remember movement quickly and efficiently. However some members of our class are not as strong at dance therefore in this process we had to go over some of the movements a few times before everyone was totally happy and confident with them. Personally I did not need the extra time to go over the movements however as part of a team effort whilst this was going on, I made sure I kept my focus, allowing the dancers who needed to go over the movements, their space to do so. I made sure I kept quiet and went over the movements with too. 

Jade was a little behind on learning the movements as she had been preparing her speech whilst we were learning the dance, therefore I helped her catch up with the choreography we had learnt when she was available. Each team member is valid and must help one another; I gave her my knowledge of the dance to get her up to speed and she created the speech which opened the show and gave our performance a sense of context for the students. One with out the other would not have worked, showing why team work is such an important skill whilst working as an ensemble.





After initially performing Radio GaGa to our teacher Kim, she gave us some constructive feedback. This was that now we had fully developed the movement and vocal side to the piece, we all need to work on our facial expressions. Some of us were looking straight out into the distance and some of our faces showed too much concentration. I went away and thought about how I could use my characterisation skills to develop my facial expression in this number. My thought process started with the fact that in this song we are all playing GaGa kids, who are controlled by Planet Mall and act in an artificial and robotic way. This lead me on to think about robotic movement and the fact robots show emotion simplistically. So thinking about this, I applied my knowledge of the idea of robots to how I used my face in this number. Instead of having a concentrating face present, I started smiling in an artificial manor, with a large smile and large eyes. We had a group discussion about how robots act, which really helped everyone understand what sort of expression was expected of us in this number. Olivia came up with the idea of smiling artificially and this idea caught on. When we all tried it out, it seemed fitting to the number; we all interpreted it in a different way. I idea this smile idea when I was not singing. However whilst I was singing, which was the majority of the song, I used warm and soft eyes and smile, which gave the impression to audiences that as a character I was enjoying singing the song and was sincer about the lyrics I was singing. This showed that my character has all is love and dedication to give towards Killer Queen, who controls the GaGa kids.
This is their life and that is what they are singing about in this song therefore showing a positive expression demonstrates the power Killer Queen has over the whole of Planet Mall. 

At the very end of our version of Radio GaGa in this medley, we came up with the fitting idea to hold the last note ‘you’ with a harmony before dropping our bodies down and lowering our arms from the side, down with or put bodies. When doing this we held the note and as soon as we dropped down, we held the ‘oo’ sound and lowered the tone and volume of the note, sounded like a malfunctioning robotic noise. This gave the impression that after the GaGa kids finish singing about their ‘happy’ lives, they run out of energy, as if they are programmed by Killer Queen. When we made this decision to add this in to the end of the dance, we realised we were split up  in two lines facing away from each other. As a result of this, we had to make sure we were really focused and listened to the ,used as an indication as to when we were supposed to drop down. At this point in the rehearsal we were slightly pushed for time. Despite it being a good idea to add this detail into the piece, it would have been a better situation for us all if we had figured this out before the performance day as we should have had 8.30-11.30 to be refining and constantly running the melody before the performance. Instead we were still blocking out the movement, rehearsing vocals and adding finishing touches to the piece at this point. Upon reflection we should have managed our time better on the Tuesday and had completed all of this by then, leaving us in an ideal position to have just been ironing out any little details that needed attention today. Therefore I conclude from this that time management is something we need to work on as a group as this would allow us to produce a higher quality of work with a lower pressure and stress level.





Being a part of a musical ensemble is all about working together as a team to make sure everyone has something productive to be getting on with at all times. It is also essential to be prepared to help your peers out with any questions they might have about the project in hand. At the beginning of this video you can see some of my class mates showing Izzy how to perform a certain move which is featured in the middle of the Radio GaGa dance. Izzy was asking Emily, who helped choreographed the dance, how to use her eyeliner and focus when performing a hand gesture. To Emily this came naturally as she was a choreographer to the dance however Izzy, much like the rest of us had only just learnt it. Emily was happy to demonstrate they eye line to Izzy, which was following the arm movements with the eye line. Although this was a minor detail, it is also an important one as little finishing touches like this give a dance number that great performance quality, making he movement more professional and polished.


Rehearsing




DURRINGTON PERFORMANCE PART 1
DURRINGTON PERFORMANCE PART 2

WWW?
I feel as though I used my vocal projection well when singing for both my Scaramouche and Chorus roles. I feel as though I sung confidentially when part of the chorus; I knew what I was singing and when to sing it, which showed I was a rehearsed performer in the ensemble. For example, I could hear myself on the video recording of the performance, even when I was not directly in front of/ near the camera which was recording it. This shows that I am good at making sure all of the audience will be able to hear my vocals loud and clear. I also noticed that I pronounced all the vowels and consonants well, enabling all audience members to be able to hear me clearly. This is a positive as with the musical We Will Rock You, a lot of what goes on during the musical, is  explained through song therefore it is even more important for audience members to understand what you, as a performer are singing 

EBI? 
Personally, today I found that the audience were not the easiest to connect with as they were high school students, who perhaps had not seen many musicals before. It was challenging as a performer to get a reaction out of them, e.g. Clapping along to our songs. This made it difficult for me to bring my full potential of enthusiasm and performance quality to this performance, as we had limited energy from the audience to bounce off of.

To think about before the performance…
As today has only been a rehearsal for the actual performance which will be taking place in January, it has prepared me as a performer. By the time we performer, I would have worked on and developed; 
I now feel as though I need to prepare myself for the chance that the audience We perform to, will not be as interactive as we hope. To prepare for this, I will make sure I put 100% energy and enthusiasm to every rehearsal I am involved in from now on, to allow myself to get into the routine of completely putting my all in to every performance, instead of marking it. This will hopefully ensure I make a routine of giving full energy, allowing me to go on stage as a fully confident performer, knowing I have performed the scene/ songs multiple time, allowing myself not to be reliant on audience interaction and response to give me that energy boost that u will already have. 


















Wednesday, 16 November 2016

Week beginning Monday 14th November 2016- Montage rehearsals, blockingand full run

On Thursday 24th November as a class we have been invited to perform parts of We Will Rock You at Durrington High School to students with an interest in drama and he arts. For this, our task today was to plan and rehearse the material we will be performing to the students next week.
This was an independent task set to us, we all worked together in collaboration to complete it.

Class discussion
Firstly we took part in a class discussion, deciding on which songs to sing, which cast to use, the order of the songs and the type of work shop we will be running for the students. I contributed ideas to the process such as suggesting to sing the full length of the three main songs. My reasoning for this was that we have been given an hour slot for our time at Durrington, which we will be dividing into two sections. 30 mins for the performance and 30 mins for the workshop. We worked as a team, listening to one another's ideas to work out which songs and the order we will be singing them in. We came to this conlusion-
1) We are the champions
2) Under pressure
3) Another one bites the dust
4) I want it all
*Workshop*
5) Radio GaGa
Finally decided to split off into two teams, one planning the performing the other planning the workshop.

Performance development, ideas coming together. 
We then split off into different teams so that as an ensemble, we were able to be more productive. Having us all divided up into separate teams allowed us to get all of the planning and rehearsing completed in a shorter amount of time, making this time efficient.

Workshop team preparation
To ensure all teams were aware of what the other teams had been rehearsing and had decided on, we came back together to feedback to everyone our current ideas and what we had all been working on. This gave all teams the oppotunity to present to the other team members the current ideas which are being developed. This strategy and way of working has two advantages. Firstly it allows each team to have sorted out their part of the job, which is quicker than having the entire class working on one part of the project. Secondly whilst ending back, if anyone picks up on something that doesn't seem to fit or or as well as it could do, then this is the perfect oppotunity to say something and get it sorted before it is too late.

Performance development/rehearsing
Following this we split off into our appropriate groupings and developed the three songs for the performance.
I worked on Under Pressure it's Luke, Amber and Megan. I feel as though we worked well, listening to each other, making the process much smoother as everyone's opinion was heard however only the best ideas materialised.

Run through of WWRY montage
Despite the fact we were yet to have put all three songs together as it will be in the actual performance, the fact we had all been working individually in our three groups to perfect the songs, putting them together in this first ever run went very well. This shows that putting in previous ground work makes all the difference when it comes to the final rehearsals. This also shows that team work is  not always about everyone working on the same thing. You must manage your time effiecently and make the most of your resources at all times.
I have learnt today that to successfully work as an ensemble you must sometimes split off instead of. Working in one team. This gives everyone the chance to be more hands on and invloved with the process and the material being created.







Thursday, 10 November 2016

11/11/16 Dance development, video evidence

https://youtu.be/OSi2oxHehrs Contemporary dance warm up

https://m.youtube.com/watch?v=DFRTLYOC-Y8&feature=share 
Seven Seas of Rhye- first rehearsal in the performance space

Media dance show piece, rehearsal



8/11/16 Freelance finance and support research

Insert videos of everyone's presentations and explain in a paragraph about each one 

Week beginning 7/11/16 We Will Rock You rehearsals


Today we carried on with the blocking of the musical. We continued on from last lesson, picking up from page 29. At this stage of the rehearsals we are solidly blocking. We must corporate by staying focused and also input ideas when necessary; which is all part of working successfully as an ensemble. Today we completed the block for pages 29-53. Today in put into practise rehearsal techniques such as patiences, concerntration and focus. This made the process flow well. 


This is a freezeframe of our initial ideas for the choreography to song 'Crazy little thing.' We were asked by our teacher Kim to experiment with some movement ideas which would fit to the upbeat and celebratory style of song. We naturally found ourselves in parnters within the group; the song has a jazz and swing theme to it therefore partner work fits well with this idea, helping us create some movement ideas together. Luke and I supported each other with this task, using our prior dance knowlegde to create some appropriate movement. We did some fun turn ins to each other whch ressembles that of a swing dance. We also did some freestyling, which worked nicely for us as a pair as we were the able to bounce off of each others ideas, creating more elaborate and developed ideas. When rehearsing this and completing this task, the class as an ensemble worked well together as we ensured everyone on stage had enough room to create their ideas by being spacially aware and keeping the noise to a minimum to allow thinking time to be as productive as possible. 


Following this, Luke and I worked on the blocking of one of our scenes with Meat and Brit (Olivia and Jaydee.) Despite this scene being between the four of our characters, the bulk of the movement on stage comes from Olivia and Jaydee. Therefore it was within mine and Luke's interest to take a back seat in the process of leading this part of the process. We stayed in our positions, sitting down in centre stage, allowing for Olivia and Jaydee to work on their ideas for this scene. The two girls were able to figure out their stage positionings whilst Luke and I stayed quiet and focused on what decisions they were making. Luke and I supported the two girls by being patient, waiting for the scenes blocking to be completed. 


Following on from the idea of supporting my peers by being patient and waiting quietly for the scene to be blocked, I watched Luke and Amber, who is playing Scaramouche alongside myself, block the movement to the song 'Who wants to live forever.' As our cast is double cast, we must support our fellow class members by allowing them to develop scenes we may not be in or alternatively, watch and make blocking and character notes on scenes that we are in however not rehearsing with our cast. This is exactly what I needed to do here. Luke is my cast however Megan who plays Galileo alongside Luke was absent today so he stepped in. Taking a back seat and observing what the other cast do on stage is all a part of successfully working together sas an ensemble to create a brilliant performance. From this today I have gained two positive things. Firstly I was able to make detailed and accurate notes on my script as I was watching Amber doing our movements, giving me more time to think about how to write the notes ad what information to include. Secondly I picked up on some techniques Amber was using that I can no learn from. This included how she delivered certain lines and what tone of voice to act in. 


Here we are all featured working together to complete the blockig of act 1. We had to be open minded for this part of the rehearsal as everyone had different ideas on the table about potentil movement and positioning ideas. We made compromises where ever possible to ensure everyone's ideas were appreciated and used somewhere within the piece. For the final part of this scene we had to create the idea of a bubble being around myself, luke and Jaydee at the front. We came up with several ways to create this illusion however the way we decided to agree on was a combination of different ideas, contributed from several different members of the group. This shows that each member of an ensemble is valid and it takes lots of different and opposing ideas to create something really special. 


In this photograph, we were all enjoying having a little dance to give us some choreography inspiration.




Wednesday, 9 November 2016

8/11/16 Character costume analysis


Today's task got us thinking in depth about why characters are dressed in the costumes they wear. To get our brains stimulated, we endured a task which was essentially going through the opposite process of creating costume for charcaters. We had to analyse Sax and Max's outfits that they were wearing today, and why they had chosen to present themselves in the way they did. We had to critique their full outfit, hair, make up, jewellery and any other added accessories they were wearing. This helped us all ask ourselves 'why' they and made the clothing choices they did and what this might say about their personal life and overall personality. 

Collectively we gathered from Sax's choices: 
She likes to dress respectfully and with modesty at work as she feels this is professional. Also this suggests she is proud of her job and wouldn't do anything to jeopardise her position within the college. Therefore she is a driven individual who is keen to please people and maintain her employment. 
She had a single hair band on her wrist, allowing her to tie her hair up at any point through out the day as she was wearing her hair down. This shows she is prepared at all times, reflecting on her organised and practical personality. 
The colour of her t-shirt was very fitting to the season. It was a deep green colour which looked very autumnal and also linked to the idea of Christmas. This portrays the idea that she likes to pre think and be head of the game. 

Max's choices: 
He wore a navy suit, firstly indicating the fact he is at work and hold authority over the students, as suits are linked to power and look presentable. The fact it was navy linked to the fact that he wanted to come across approachable and relatable to students. Navy is a warm and clam colour compared to black which is looked at as a harsh colour and therefore would possible have come across as overpowering and unapproachable, if he wore a black suit. This conveyed the idea that he wants to fit in and connect with his students, showing the commitment he has to his job. 
He was wearing odd socks which linked to the fact he may be a lazy person who doesn't pay much attention to minor details. This could reflect the fact that he isn't a perfectionist and would rather focus on events and enjoying life rather than being caught up on appearence. 
His hair resembled a 'bed head' style and therefore didn't stereotypically fit with his presentable appearance, wearing a suit. This showed us that he still wants to be preceived as a young person due to his young age in a professional environment. This also showed us his quirky style, suggesting that even though he is wearing a suit which he wouldn't in day to day life, that he is a man who is true to himself and doesn't want his individual style to be lost. 

After finishing this though provoking exercise, Kim explained to us that what we had been doing is the reverse of what we need to be doing for our costume unit: we had been picking apart why the two models were wearing what they were wearing however for thr costume design unit, we will need to be creating ideas behind why we have put the charcaters in the outfits we have chosen. 

Now I will always be able to think back to this exercise if I come to a natural pause in my costume design; it will stimulate me to be thorough and creative when designing costume for the three charcaters. These ideas we came up with the justify their choices have also given be a basis to start from when giving reasons for my charcaters costumes, however I now need to game this a step further and be more imaginative as the charcaters are living in a virtual world, 300 years in the future, giving me more depth to explore and analyse. 




Friday, 4 November 2016

04/11/16 Another one bites the dust choreography and media piece refining

Warm up phrase

What went well?
Today we learnt a new warm up phrase which featured dynamic turns which improve your agility, different use of levels to ensure all parts of your body have the chanced to be prepared before dancing starts and in general fast pace which steadily increases your heart rate, encouraging effort to be made. I feel as though I was able to pick up the routine efficiently today as I remembered the movements after learning them. The first time I performed the phrase to music, I missed out a turning movement over the left shoulder. After realising this, I recalled this section of the dance and was soon able to perform it with no inaccuracies. 
Also personally I feel as though I worked well during the warm up today as I was at the front, leading the movement as I am efficient at picking up steps and new choreography. I like to help others and feel as though I did this today. 

Even better if... 
To improve for next time, I want to ensure that whilst performing a jump in the air, sending my legs out and up to change my body positioning, I fully extend my legs. I found myself not quite being able to fully extend my legs as I ran out of time towards the end of the phrase, where this move is performed. To improve, I will practise the movement a few times on its own to ensure my take off and landing positions aren't hindering my ability to maintain correct technique. 

Another one bites the dust

What went well? 
Today I feel as though the whole of the class worked well together to complete the choreography to this number. Bryleah took on the lead role of inputting ideas to the process and choreographing the majority of the number as her character Killer Queen, sings and is the main attraction of the number.
As an ensemble we worked out that acting robotically suits this dance as it is based on the Killer Queen having authority and control over the whole of Planet Mall. 
We also used the process of trial and error to ensure the movements we finally chose looked fitting and worked with the lyrics and intent behind the song. For example a couple of people has ideas for the ending of the piece however we chose the one which looked right when we tried them both out. We firstly tired splitting the class in to two, with one half running off after being zapped by the Killer Queen and the other half robotically falling to the floor as if they had been zapped down dead. Our second idea was to have everyone stay on and after being zapped, to fall robotically to the floor in a seemingly uncomfortable position, to later start twitching the body to the music, as if we were robots re booting. We decided to go with the second idea after seeing what both ideas looked like on stage becuase the stage looked busier this way. Also the twitching of the limbs right at the end added a comedic element to the piece which fits in with Killer Queen, who Izzy and especially Bryleah, play in a humourous fashion. 

Even better if... 
We could have improved on the piece if we had extra time in the lesson to go over the choreography we have finished today, and refined movements. This will make the piece be seemingly more fluid, which is professional. This is what we will be doing next lesson.

Media piece 

What went well? 
We continued refining the piece today and everyone co orporated as a team well, staying patient and focused. A couple of people were missing from last week's rehearsal therefore we helped them catch up with what they missed from this session. 

Even better if...
The next step we need to take is having a rehearsal in the theatre space, in which we will be performing in for the winter dance show. This will allow us to adapt out dance to the space around us, instead of having a shock by doing this on the day of the performance. The theatre is a different shape to the dance studio and therefore would be beneficial for us to get used to performing in the appropriate space. 

Week beginning 31/10/16 We Will Rock You rehearsals

Working together as an ensemble in today's lesson, we managed to create and choreograph the movement to Killer Queen and Khashoggi's conversation on pages 11 - 12 of the script. Everyone was late it with one another today as this process of creating movement took us 15 minutes of focus. Bryleah, as Killer Queen, took on a leadership role within the group, listening to the rest of the class's opinions and communicating them to Kim and everyone clearly. I felt everyone was focused and patient today and having Bryleah lead the choreography helped set out minds on what we needed to achieve. I felt my contribution to this part of the lesson was subtle yet helpful. I feel as though I contributed by being quiet and focused through out. Even though I didn't have much input into the creation of these movement, I listened to what was being asked of me and co operated by copying the movement correctly. We used robotic arm gestures to symbolise the Yuppie's emotions as they all think the same, under control of the Killer Queen. Whilst sitting on the Killer Queen’s steps, the Yuppies will raise their outside hand up to their mouths as they gasp. This works well with the gasping sound as it look controlled and everyone looks/sounds identical; under the power of Killer Queen. 

Developing an early scene between Scaramouche and the GaGa girls today took compromising today as all of the girls working on the piece including myself, had plenty of ideas about accent choice and use of the body to portray the 'bitchiness' of girls. I feel as though myself, Isobel, Talia, Jade and Megan worked effectively together as we were all relaxed enough to be able to chose the best ideas from the lot we contributed. Isobel had the idea of encorporating the Essex accent into the Ga Ga girl's persona, which we tried and worked well as this accent is linked to gossiping. 



I am a confident person and therefore I am used to taking on the leadership roles in similar situations during class. Therefore today I feel as though I have learnt that sometimes it is a positive idea to take a step back and show your ensemble contribution by being focused and doing what you are told to do. This makes the process of developing choreography much more fluid as having everyone talking at once always becomes too intense and unproductive. Peer support was strong today; we all knew we had to complete a significant amount of blocking today therefore all the class acted professionally, working corporately together to achieve this. An example of this was that some of the movement we created today was difficult to achieve unison with. Instead of individuals loosing focus when they and grasped the technique, we all managed to stay focused on behalf of the people had needed to spend more time rehearsing the movement. This ensured everyone was at the same level of awareness in the process. 




Something we found challenging today as a class was working out who is going to be able to perform on each night, due to doubling casting. This gets complicated as we have to consider that the year 12s will be involved in the show so we have to account for them too. This part of the lesson did become slightly stressful as at some points, a lot of us were talking over one another, trying to figure out who was needed for a certain scene and logistically if they were able to be a part of it. To have improved on our ensemble skills here, we should have tried to listen to one another and allow only one person to speak at a time. This would have solved the problem quicker and allowed for everyone to be heard separately. 



21/10/16 Another one bites the dust initial ideas and media piece development

The warm up phrase
What went well?
  • This week I felt confident that i knew the warm up phrase and was able to dance it with no mistakes from start to finish. This shows development from the first week, seeing me unable to accurately achieve the correct timing for one of the movements.
  • I feel as though my technique has also improved. I have improved by getting higher on my demi pointe when doing a half turn, to face the back of the studio. I also feel as though I have improved the fluidity when coming out of floor rolls, by ensuring I transitioned into them with momentum, allowing my recovery to be more natural and easy.
Even better if...
  • To take the phrase that step further, I plan to take it upon myself to add appropriate dynamics to the dance. This will make the dance look as if it is my own and will add characteristic to the phrase.
The media piece
What went well?
  • I feel as though the media piece we have been creating and developing for a number of weeks, is now coming together well with a clear and thought out structure to it. This has been a result of building on individual sections each week. Now performing all of the sections together in an appropriate order, really portrays the theme of media well. It does this by accessing different aspects of media through dance including being secretive, passing a story to others and therefore the story becomes altered, running away from the truth.
Even better if...
  • To imporve next lesson, we need to keep going over the material we have tody put together to ensure it flows fluidly and the trasitions are looking clean and professional.
  • Also next lesson we must fill in the couple of people who missed out on today's lesson as to what they are doing and where they are positioned on stage. Catching up is vital and we will work as a team to ensure they are up to speed with the movement and their positioning throughout? Being confident on stage is vital and we will all make sure that everyone feels comfortable and able to perform. 
Another one bites the dust

In the last few minutes of today's lesson we started to share some movement ideas for Another one bites the dust. Bryleah and Izzy had some positive ideas for this as they are playing Killer Queen and this is her song. They had done some research into various movement styles we could apply for this dance. We came to the conclusion that the style we dance in will be robotic and as if all dancers are brainwashed into thinking and moving in the same way. This will reflect the Killer Queen's influence on the citizens of Planet Mall, showing her authority over them. We tried out some ideas for example marching in unison as a group, showing the idea of 'control' and falling to the floor when the Queen signals at us, again showing her power over every individual.